9/5/2023 0 Comments Bunker tad hill![]() ![]() ![]() The Music Center, which opened in stages, starting in 1964 - around the same time the city was bulldozing the last boarding houses that sheltered elderly and immigrants - has been described as the project that “commenced the revitalization of Bunker Hill.” Indeed, every few years it seems that a major civic or commercial development opens atop Bunker Hill, leading to ample media coverage. Like the rest of old Bunker Hill, the street was demolished during an infamous pique of 1960s “slum clearance” policies that saw the entire neighborhood leveled to raw earth.Īll of this lies just a couple of blocks over from Grand, where two internationally famous museums - the Museum of Contemporary Art and the Broad - stand alongside several performance complexes, including the Music Center, the Walt Disney Concert Hall, the Colburn School and REDCAT, all representing different eras of Bunker Hill revitalization. Neither do any of the Victorian buildings that once lined the street. Clay Street, the narrow thoroughfare where Yvonne Williams, the young Apache woman who serves as the film’s heart, was seen carting her goods, no longer exists. “The Exiles,” as Times film critic Kenneth Turan noted in a 2008 review, “captured a brooding picture of a darkly beautiful, long-gone Los Angeles.” The shot is sumptuous: a play on shadow and light and the geometries of the once-graceful homes that lined the streets of L.A.’s Bunker Hill. In an early scene from “The Exiles,” Kent MacKenzie’s moody 1961 film about the lives of a group of indigenous people living in Los Angeles midway through the 20th century, a young woman carries a bag of groceries up a hillside street flanked by weathered Victorian houses converted into apartments and boarding houses. ![]()
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