9/6/2023 0 Comments Animation puppetIn August, May filed a story told in 89 couplets. “Gratefully I buried myself in the writing,” he wrote at the time. But he found solace in the story, drawing inspiration from his young daughter’s fondness for reindeer at the Lincoln Park Zoo. When she died in July 1939, May was given the option to give up the assignment. May’s wife had been diagnosed with cancer, and as the year wore on, her health deteriorated. May agreed to tackle the assignment, despite difficulties in his personal life. The department store began preparing for Christmas 1939 nearly a year in advance, and tasked May with penning an original holiday story they could market to shoppers. Rudolph’s story began with a Jewish Montgomery Ward copywriter named Robert May. Before Rudolph lit up the small screen, a series of tragedies, twists of fortune and lucky coincidences allowed his tale to endure through decades-eventually ensuring a place in holiday tradition. But each played an important role in the making of Rudolph the Red-Nosed Reindeer, a classic Christmas special currently celebrating its 57th straight year of annual reruns. The creative team must weigh its daily work with the overall visual and technical requirements of the film – even more so if the film is attempting something new.Reindeer and dentists, puppets and LED light bulbs, Gene Autry and General Electric-these odd pairings might not seem to have much in common. If it doesn’t work, the entire crew has to reshoot from the beginning. It’s also worth remembering that puppets are moved frame by frame, so the final result can only be seen on screen when everything has been put together. Puppet animators do not have the luxury of rehearsals and many films – especially in the early period – were shot with only one take per scene. It’s impossible to rehearse for a puppet animation filmįilmmaking may have unlimited possibilities in one sense, but the world of stop-motion animation has strict limitations. An animator’s daily plan is usually to film five seconds.ĩ. In all, about six months is needed for one minute of animation. What’s more, this only includes the shooting itself, not preparation. A full day of shooting produces on average five seconds of materialĪround 24 frames must be shot for each second of an animated film, and a second of movement amounts to, say, the sweep of a puppet’s hand. In Soyuzmultfilm’s animation “38 Parrots” (1976-1991) for instance a separate tail for the boa constrictor was shot in several scenes.Ĩ. Puppet makers as a rule create not only a “troupe” of duplicates of each “actor” but often separate components. Costumes are sewn individually not only for each character but for all the versions of each character, since “wardrobe change” is impossible due to the complexity of a puppet’s construction. Skin and visible extremities are made from dental plaster eyes from large ball bearings. The frame is then covered in layers of foam and wound in thread to give it the required physical form. Several versions of each character are created for every animated filmĮach animation puppet is built around a metal skeleton with ball joints and hands made of flexible wire, a construction that produces stability and precise movements. Technology, form, material, texture, volume, plot, dialogue, music, acting ability, and a host of other factors have stimulated animation teams at Soyuzmultfilm to search for new ways of perfecting their art for almost a century.ħ. The character, speed, and rhythm of a figures’ movement all offer rich potential for experimentation. Soyuzmultfilm is home to a rich variety of puppet animation and Claymation styles The films were not intended for a public audience.Ħ. His goal was not to found a new art form but rather to recreate and perfect human movements, to record his own choreography. Shiryaev didn’t have the faintest suspicion of the significance of his creation. The film took several months to complete, and the ballet master had to change the poses of his papier-mâché figures about 7,500 times to convey the illusion of dance. In 1906, the ballet master of Saint Petersburg’s Mariinsky Theater, Aleksandr Shiryaev, created the world’s first puppet animation film, with figures dancing in ballet steps against a still background of theatrical decorations. Puppet animation was born at the beginning of the 20th century. The first puppet animation film in history was made by a Russian ballet choreographer Here Natalya Avdeeva, Georgii Borodin, Pavel Shvedov, and Marina Malygina from Moscow-based animation studio Soyuzmultfilm takes us through the history of puppet animation and share some fascinating facts about Soyuzmultfilm along the way.ġ. It’s born out of the hard work of its pioneers and their followers to bring creative impulses to life by experimenting with new technologies.
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